Ram and Sita will always hold a special place in my heart because of their enchanted journey through difficult circumstances.
Sita Ramam is a contemporary epic love story that has gained popularity throughout India. All of the languages of the film were released. Hanu Raghavapudi served as the director. The 1960s and the 1980s were the two eras where the story was set. This movie is a romance drama in the midst of mega-action movies featuring gore and violence. Sita Ramam is a beautifully shot story of love and grief that stars Dulquer Salmaan as Ram, Mrunal Thakur Sita, and Rashmika Mandanna as Afreen in the essential parts. It has all the ingredients to be considered a great love story, but it falls short in other ways. In short, the story is all about a long-lost letter that must be delivered to the intended recipient twenty years later. As the scene goes the Afreen, the troublemaker gains insight into love and humility along the journey.
How it all started
The plot begins with Afreen, a young Pakistani woman who in the 1980s burned the car of a prominent Indian politician in London out of patriotism. She abhors everything and everyone Indian with a ferocious loathing.
She is a representation of the anger and hostility that developed between India and Pakistan following the partition. She has no firsthand experience with Indians, thus she has no reason to hate them. Brigadier Taariq, who is adamantly opposed to her irrational hate of the neighbouring nation, is her grandfather
Lieutenant Ram stands in opposition to this. He maintains his sense of patriotism while looking beyond boundaries and religion. This young soldier is praised for acting above and above the call of duty while serving in the army and for preventing the slaughter of a Hindu community in Kashmir.
He clarifies the misinformation that emerges among Kashmiri Muslims following the army’s killing of young men. They have reliable information regarding teenage Mujahideen who have travelled across borders to carry out their leader’s directives. Ram puts himself in danger by standing between a group of Muslims and a party of Hindus in order to prevent terror from falling on Kashmir.
Hostility and love stand in stark contrast throughout the movie. In addition, there is Sitamahalakshmi and Ram, as well as the red and blue of oneness. Afreen’s grandpa offers her one final assignment before he passes away. She would inherit his money if she succeeds in completing it. Afreen accepts the task since she needs some money right once, and during the trip, she learns to let go of her deep-seated animosity toward her neighbouring nation. She discovers information about Ram’s past, his passion for his nation, and the stunning Sitamahalakshmi. His final letter must be delivered to his sweetheart by her.
Important tidbits and pieces of knowledge about Ram and Sita are revealed as the movie progresses. It is told to Afreen in pieces since it is a story that various people who have known Ram and Sita in the past have told her. She discovers information about a person who refutes all of her assumptions about Indians. A woman who sacrificed all for her love is told to her. The concept intrigues me. To first present hate and then expose elements such as love, compassion, and visions that have the power to eradicate hate. In that sense, Ram’s life represents the aspirations and desires of millions who desire a world free from hatred.
Sita Ramam is essentially the love story of two people from separate worlds falling in love while exchanging letters, according to the surface of the novel. A story with its core rooted in humanity and love may be found if you look past the richness, retro beauty, stunning clothing, Visual effects of butterflies, and lavish sets. Beyond the aesthetics, Vishal Chandrasekhar’s music is what really resonates with audiences. It is delightful and pleasant, much like the movie that falls short of being a classic. Director Hanu does an excellent job of illustrating rather than simply stating that no matter what religion you worship or what nation you are from, at the least of the day, what counts is mankind. Irfan Rashid Sheikh, the art director, and Sheetal Sharma, the costume designer, deserve special recognition for flawlessly bringing the audience back to the 1960s and 1980s. Similarly, Mrunal Thakur, who debuts in Telugu alongside Sita Ramam, had a phenomenal performance. Dulquer and Rashmika brilliantly portray their roles.
Despite the fact that not everyone in the armies on either side of the border believes this, Ram and Major Tariq unintentionally start a chain reaction with their empathy that not only touches many lives but also makes them better suited. Along with that, Ram and Sita do have a touching love tale that inspires support. The dilemma now is that the film spent hours creating this precise symbol of hope, only for it to be destroyed in a matter of minutes. Just this back and forth between the earliest letters he received from Sita and the final letter Ram wrote for her evokes memories of a bygone era.
Additionally, it highlights how desperate humanity was for communication in the days before modern society’s abundance of communication tools. There was more to be learned about the closure that Ram wants in his final letter and that Sita seeks every time she travels to Kashmir without him. Possibly then, a depressing conclusion would be appropriate for this movie’s attempt to be a timeless romantic drama. Do all traditional love tales have to have a depressing conclusion? I agree that they cause more powerful feelings, yet from where do we get our hope? Perhaps I would have bought their tragedy if the movie hadn’t put in certain themes, like the reds and blues or the interfaith dimension. Furthermore, it nearly seems as though the movie silences viewers into believing they are happy before shattering their illusion.
Sita is a puzzle and has many facets. Ram merely wants to enjoy it; he has no intention of solving it. He has no desire to alter her, her choices, or her way of life. Sita’s primary concern is that Ram won’t learn her secret. Ram, however, provides Sita with the closure she has been missing for the past twenty years with his final letter. The good things include performances, three songs and BGM, production design, and a few moments. Slow tempo, a confusing narrative, and a weak climax are the drawbacks.
The sequence in which Ram takes a photo of Sita in his friend’s house is the best in the movie. She is the focus of his attention, while he can be seen in the camera. Throughout the demise, I questioned whether this moment prophesied the end. In Sita’s life, Ram serves simply as a reflection.
So, if tender moments and heartfelt caresses that end in heartbreak are not your things, skip Sita Ramam. After all, not everyone relishes being a sobbing mess at the conclusion of a movie. Despite of all the setbacks, the story’s main point is that it was visually pleasing to the audience. The mystical linkage that the director attempted to construct in the first hour makes the conclusion seem implausible as well. The movie is watchable only once thanks to performances and crafts.
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About the Author
In addition to international news, cupcakes, and coffee lift Shamini’s spirits. She holds a master’s degree in international relations from Women’s Christian College, Chennai, and she has a knack for understanding what is going on in the overseas market and never fails to stay up to date on current events. Her primary research area is the Indo-Pacific region, but she also studies maritime security challenges in the Indian Ocean, Middle Eastern culture, global governance, and foreign relations. Shamini is a driven professional who chose ‘The International Prism’ as a career launching pad.